: a f t e r : s c h o o l :
an essay by dramaturge
Ana Dubljevic
about the 2022 choreographic process towards the quintet
"School of Attunement
and Tactlessness"
Graphic design by Caroline Böttcher
☛ find the PDF below:
Ana Dubljevic
about the 2022 choreographic process towards the quintet
"School of Attunement
and Tactlessness"
Graphic design by Caroline Böttcher
☛ find the PDF below:
after.school_ana.dubljevic_double-sided.pdf | |
File Size: | 4351 kb |
File Type: |
J u m p : i n t o : m y : t h r o a t
"Jump into my throat" - Jule Flierl's contribution about voice and body dissociation as practice and imagination. In the text she refers to "U.F.O.-Hommage to Katalin Ladik", the "Aerosol Lab" and "Störlaut" a.o. projects. Commissioned and first published by: MASKA performing arts journal vol. XXXVI (Fall 2021) VOICE OF DANCE Editors in chief: Pia Brezavšček, Rok Bozovičar Re-published as part of: A SOUND HAS NO LEGS TO STAND ON Exerce, écrits chorégraphiques 1 Crossing Éditions / ICI-CCN / Mai 2022 Graphic design by Caroline Böttcher ☛ find the PDF below: |
jump_into.my.throat_double-sided.pdf | |
File Size: | 6130 kb |
File Type: |
::nouvelle::
g:r:o:t:e:s:q:u:e
The text
"Nouvelle Grotesque"
by Jule Flierl
was commissioned
by Sophiensaele
and published within "Openings Sophiensaele 2011-2021",
Alexander Verlag Berlin.
☛ find the PDF below:
nouvelle.grotesque_openings_sophiensaele.pdf | |
File Size: | 170 kb |
File Type: |
S : T : Ö : R : L : A : U : T
“Störlaut” is the limited edition publication accompanying contemporary choreographer Jule Flierl’s performance work of the same name. The topic is “Sound Dance,” a radical concept first manifested in Europe in the 1920’s by avantgarde artist Valeska Gert. Gert’s confrontational, feminist practice depicted a de-romanticized and grotesque woman, disturbing feminine codes through her performativity. Her use of vocalization helped found a new genre of dance: dancing with the voice. Jule Flierl’s 2018 choreographic piece intersects and dialogues with the late artist’s work, furthering the seldom-discussed history of vocal dance in conversation with its past.
The publication contains working materials for the performance, an interview with Flierl on sound dance in contemporary performance, and an original essay by historian Luise Meier on the relation between Gert’s sound dances and the feminist practices of the Weimar Republic, as well as the impact of vocal dance on the presence of the female voice in the public sphere.
Book design by Caroline Böttcher.
☛ You can download the PDF in three languages below:
stoerlaut_english.pdf | |
File Size: | 9742 kb |
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stoerlaut_deutsch.pdf | |
File Size: | 9491 kb |
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stoerlaut_francais.pdf | |
File Size: | 10018 kb |
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