Jule Flierl is an artist from Berlin/Germany who works with choreography and the voice. Using choreography and somatic singing methods, her scores unsettle the relationship between seeing and hearing: what you see is not always what you hear, and what you hear is not always what you see.
STÖRLAUT at Sophiensaele Berlin 2019
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Jule is fascinated how conceptions of the body change over time and that the voice as a technology of the self always finds new relations to the body. She asks herself how the baroque Bel-Canto voice would inhabit the gestures of romantic ballet (Operation Orpheus 2016), how the anti propaganda of Valeska Gert’s dancing tones in the Weimar Republic would have sounded (Störlaut 2018) and how to choreograph the separation of body image and vocal sound of Katalin Ladik’s avant-garde performances in Yugoslavia (U.F.O. 2021). Flierl collaborates with choreographer Antonia Baehr “Die Hörposaune” live / film (2022) and ChoreoVocalist artist Irena Z. Tomažin “U.F.O. - Hommage to Katalin Ladik” (2021). Her group choreographies “School of Attunement and Tactlessness” (2022) and “Time out of Joint” (2023) develop grotesk bodies and dissonant collectives.
Her work was featured at Szene Salzburg 2022/2023, Impulstanz Vienna 2021/2018/2016, Tanzplattform Munich 2020, Steirischer Herbst Graz 2019, NEXT Valencienne 2018, Legs/La Raffinerie Brussels 2018/2021 and Rencontres Chorégraphiques Paris 2018, La Panacée Montpellier 2016, Tanztage Berlin 2016 amongst others.
2015 she received the DanceWeb Scholarship for Impulstanz/Vienna. In 2016 she was introduced as “newcomer” and in 2018 she was nominated as “hope for dance” in the German “Tanz” Magazin. In 2019 she received the award for best choreography at the Solo Choreografico Festival Frankfurt am Main for “Dissociation Study”.
She worked with Meg Stuart, Tino Sehgal, Martin Nachbar, Gintersdorfer/Klassen, Sergiu Matis and Anna Nowicka a.o.
Jule graduated from SEAD-Salzburg academy for contemporary dance, holds an MA in choreography at EXERCE Montpellier and is a certified teacher of the somatic voice method “Lichtenberger Methode”. She initiated and co-hosts the voice performance series FROM BREATH TO MATTER in Berlin since 2017, which transformed into a Podcast during the pandemic, containing interviews with artists who interweave voice and choreography as continuation of the live event series. Since 2020 she is co-organising the alternative art space "Fortuna Wetten" in Berlin Neukölln.
Her work was featured at Szene Salzburg 2022/2023, Impulstanz Vienna 2021/2018/2016, Tanzplattform Munich 2020, Steirischer Herbst Graz 2019, NEXT Valencienne 2018, Legs/La Raffinerie Brussels 2018/2021 and Rencontres Chorégraphiques Paris 2018, La Panacée Montpellier 2016, Tanztage Berlin 2016 amongst others.
2015 she received the DanceWeb Scholarship for Impulstanz/Vienna. In 2016 she was introduced as “newcomer” and in 2018 she was nominated as “hope for dance” in the German “Tanz” Magazin. In 2019 she received the award for best choreography at the Solo Choreografico Festival Frankfurt am Main for “Dissociation Study”.
She worked with Meg Stuart, Tino Sehgal, Martin Nachbar, Gintersdorfer/Klassen, Sergiu Matis and Anna Nowicka a.o.
Jule graduated from SEAD-Salzburg academy for contemporary dance, holds an MA in choreography at EXERCE Montpellier and is a certified teacher of the somatic voice method “Lichtenberger Methode”. She initiated and co-hosts the voice performance series FROM BREATH TO MATTER in Berlin since 2017, which transformed into a Podcast during the pandemic, containing interviews with artists who interweave voice and choreography as continuation of the live event series. Since 2020 she is co-organising the alternative art space "Fortuna Wetten" in Berlin Neukölln.
